No Maps On My Taps Review This spirited film offers unique insight into jazz tap dancing as an indigenous American art form. The spirit of tap in its heyday, shown in rare photographs and Hollywood film clips of the 1930s, provides a backdrop for intimate portraits of three surviving "hoofers." Sandman Sims, Chuck Green and Bunny Briggs tell the story of tap as an expression of black heritage and culture. For all dance afficionados, NO MAPS ON MY TAPS is an indispensable historical record of this distinctly American art form. | |
| Gene Kelly: Anatomy of a Dancer Review The first-ever DVD release for this legendary documentary film that explores the lives and music of the pioneers of modern Gospel music. Features Willie Mae Ford Smith, Thomas A. Dorsey, The Barrett Sisters and The O’Neal Twins. Includes bonus 15-song audio CD and deluxe "hymn book" packaging with essays, lyrics and rare photos. Bonus features include newly recorded director's commentary, photo essay and theatrical trailer. "The music is as exciting and uplifting as any music I've ever heard on film…a great experience" – Roger Ebert "exuberant and revitalizing" – Rolling Stone "even a tone-deaf atheist will say ‘amen!’" - Time | |
| Tap Review There's good news aplenty in this DVD reissue of Say Amen, Somebody, director George T. Nierenberg's 1980 film focusing on some of the giants of modern gospel music and the younger singers whom they inspired. That's "good news" as in the word of God, and what better way to express the power of faith than through this powerful and uplifting music? Liner notes writer Anthony Heilbut describes the film as an exploration of "the golden age of gospel music in its dying hour," and Nierenberg (whose informative and illuminating commentary track, like Heilbut's lengthy notes, is one of the several features that justify the DVD's "bonus deluxe" tag) focuses principally on two senior citizens: Thomas Dorsey, often credited as "the father of gospel music," and Willie Mae Ford Smith, a St. Louis-based singer and an innovator who helped popularize the modern gospel singing style, with its emphasis on exaggerated, open-mouthed vibrato and careful articulation of the lyrics. Dorsey is an engaging raconteur who explains the origins of modern gospel (once a secular songwriter who wrote for Ma Rainey and others, he added rhythm to traditional hymns and spirituals, essentially "bringing the blues into church") and speaks movingly of the trials and tribulations that led to his writing the classic "Precious Lord." For her part, Smith is not only a tireless worker but something of a feminist pioneer who insisted early on that women have just as much right as men to spread the word (her own son's remark that "women ought to stay in their proper place: behind the man" illustrates what an uphill battle that was, and is); this chauvinism, along with the creeping commercialism that makes singers like the O'Neal Twins wonder if they're compromising their evangelical calling, are among the deeper issues Nierenberg's film addresses. But in the long run, of course, it's all about the music, and the DVD package includes 18 complete performances accessible via separate menu, as well as a 15-song CD. All of this will prompt not only a few "amens," but no doubt some "hallelujahs" too. --Sam Graham | |
| TAP DANCE HISTORY: from Vaudeville to Film Review This captivating film focuses on the artistry and style of three of America's leading male tap dancers, Steve Condos, Jimmy Slyde and Chuck Green. Introduced by Gregory Hines, who shares his childhood memories of watching and imitating the tap dance greats at the Apollo Theater, ABOUT TAP features simply staged but bravura performances that display this engaging and graceful art at its finest. The film asks the question, "How does an artist discover his own individual style?" Through their recollections and performances, each of the featured dancers offer a distinctive and highly entertaining answer. | |
| Tap Dancing America: A Cultural History Review There's good news aplenty in this DVD reissue of Say Amen, Somebody, director George T. Nierenberg's 1980 film focusing on some of the giants of modern gospel music and the younger singers whom they inspired. That's "good news" as in the word of God, and what better way to express the power of faith than through this powerful and uplifting music? Liner notes writer Anthony Heilbut describes the film as an exploration of "the golden age of gospel music in its dying hour," and Nierenberg (whose informative and illuminating commentary track, like Heilbut's lengthy notes, is one of the several features that justify the DVD's "bonus deluxe" tag) focuses principally on two senior citizens: Thomas Dorsey, often credited as "the father of gospel music," and Willie Mae Ford Smith, a St. Louis-based singer and an innovator who helped popularize the modern gospel singing style, with its emphasis on exaggerated, open-mouthed vibrato and careful articulation of the lyrics. Dorsey is an engaging raconteur who explains the origins of modern gospel (once a secular songwriter who wrote for Ma Rainey and others, he added rhythm to traditional hymns and spirituals, essentially "bringing the blues into church") and speaks movingly of the trials and tribulations that led to his writing the classic "Precious Lord." For her part, Smith is not only a tireless worker but something of a feminist pioneer who insisted early on that women have just as much right as men to spread the word (her own son's remark that "women ought to stay in their proper place: behind the man" illustrates what an uphill battle that was, and is); this chauvinism, along with the creeping commercialism that makes singers like the O'Neal Twins wonder if they're compromising their evangelical calling, are among the deeper issues Nierenberg's film addresses. But in the long run, of course, it's all about the music, and the DVD package includes 18 complete performances accessible via separate menu, as well as a 15-song CD. All of this will prompt not only a few "amens," but no doubt some "hallelujahs" too. --Sam Graham | |
| White Nights Review There's good news aplenty in this DVD reissue of Say Amen, Somebody, director George T. Nierenberg's 1980 film focusing on some of the giants of modern gospel music and the younger singers whom they inspired. That's "good news" as in the word of God, and what better way to express the power of faith than through this powerful and uplifting music? Liner notes writer Anthony Heilbut describes the film as an exploration of "the golden age of gospel music in its dying hour," and Nierenberg (whose informative and illuminating commentary track, like Heilbut's lengthy notes, is one of the several features that justify the DVD's "bonus deluxe" tag) focuses principally on two senior citizens: Thomas Dorsey, often credited as "the father of gospel music," and Willie Mae Ford Smith, a St. Louis-based singer and an innovator who helped popularize the modern gospel singing style, with its emphasis on exaggerated, open-mouthed vibrato and careful articulation of the lyrics. Dorsey is an engaging raconteur who explains the origins of modern gospel (once a secular songwriter who wrote for Ma Rainey and others, he added rhythm to traditional hymns and spirituals, essentially "bringing the blues into church") and speaks movingly of the trials and tribulations that led to his writing the classic "Precious Lord." For her part, Smith is not only a tireless worker but something of a feminist pioneer who insisted early on that women have just as much right as men to spread the word (her own son's remark that "women ought to stay in their proper place: behind the man" illustrates what an uphill battle that was, and is); this chauvinism, along with the creeping commercialism that makes singers like the O'Neal Twins wonder if they're compromising their evangelical calling, are among the deeper issues Nierenberg's film addresses. But in the long run, of course, it's all about the music, and the DVD package includes 18 complete performances accessible via separate menu, as well as a 15-song CD. All of this will prompt not only a few "amens," but no doubt some "hallelujahs" too. --Sam Graham | |
| Say Amen, Somebody (Bonus Edition) Review There's good news aplenty in this DVD reissue of Say Amen, Somebody, director George T. Nierenberg's 1980 film focusing on some of the giants of modern gospel music and the younger singers whom they inspired. That's "good news" as in the word of God, and what better way to express the power of faith than through this powerful and uplifting music? Liner notes writer Anthony Heilbut describes the film as an exploration of "the golden age of gospel music in its dying hour," and Nierenberg (whose informative and illuminating commentary track, like Heilbut's lengthy notes, is one of the several features that justify the DVD's "bonus deluxe" tag) focuses principally on two senior citizens: Thomas Dorsey, often credited as "the father of gospel music," and Willie Mae Ford Smith, a St. Louis-based singer and an innovator who helped popularize the modern gospel singing style, with its emphasis on exaggerated, open-mouthed vibrato and careful articulation of the lyrics. Dorsey is an engaging raconteur who explains the origins of modern gospel (once a secular songwriter who wrote for Ma Rainey and others, he added rhythm to traditional hymns and spirituals, essentially "bringing the blues into church") and speaks movingly of the trials and tribulations that led to his writing the classic "Precious Lord." For her part, Smith is not only a tireless worker but something of a feminist pioneer who insisted early on that women have just as much right as men to spread the word (her own son's remark that "women ought to stay in their proper place: behind the man" illustrates what an uphill battle that was, and is); this chauvinism, along with the creeping commercialism that makes singers like the O'Neal Twins wonder if they're compromising their evangelical calling, are among the deeper issues Nierenberg's film addresses. But in the long run, of course, it's all about the music, and the DVD package includes 18 complete performances accessible via separate menu, as well as a 15-song CD. All of this will prompt not only a few "amens," but no doubt some "hallelujahs" too. --Sam Graham | |
| The Story of Gospel Music Review Documentary about the American gospel music scene, focusing on two of the movement's pioneering forces, Thomas A. Dorsey and Willie May Ford Smith. | |
| Rejoice and Shout Review There's good news aplenty in this DVD reissue of Say Amen, Somebody, director George T. Nierenberg's 1980 film focusing on some of the giants of modern gospel music and the younger singers whom they inspired. That's "good news" as in the word of God, and what better way to express the power of faith than through this powerful and uplifting music? Liner notes writer Anthony Heilbut describes the film as an exploration of "the golden age of gospel music in its dying hour," and Nierenberg (whose informative and illuminating commentary track, like Heilbut's lengthy notes, is one of the several features that justify the DVD's "bonus deluxe" tag) focuses principally on two senior citizens: Thomas Dorsey, often credited as "the father of gospel music," and Willie Mae Ford Smith, a St. Louis-based singer and an innovator who helped popularize the modern gospel singing style, with its emphasis on exaggerated, open-mouthed vibrato and careful articulation of the lyrics. Dorsey is an engaging raconteur who explains the origins of modern gospel (once a secular songwriter who wrote for Ma Rainey and others, he added rhythm to traditional hymns and spirituals, essentially "bringing the blues into church") and speaks movingly of the trials and tribulations that led to his writing the classic "Precious Lord." For her part, Smith is not only a tireless worker but something of a feminist pioneer who insisted early on that women have just as much right as men to spread the word (her own son's remark that "women ought to stay in their proper place: behind the man" illustrates what an uphill battle that was, and is); this chauvinism, along with the creeping commercialism that makes singers like the O'Neal Twins wonder if they're compromising their evangelical calling, are among the deeper issues Nierenberg's film addresses. But in the long run, of course, it's all about the music, and the DVD package includes 18 complete performances accessible via separate menu, as well as a 15-song CD. All of this will prompt not only a few "amens," but no doubt some "hallelujahs" too. --Sam Graham | |
| Gospel Review Anyone who loves soul music or rhythm & blues probably knows that it all springs from the roots of gospel music. This 1982 documentary by director George T. Nierenberg breaks it all down beautifully as he examines the lives and careers of a handful of since-departed gospel stars, who helped create the genre from which so many other forms of music flowed. Focusing on the aging but still vigorous "Professor" Thomas A. Dorsey and "Mother" Willie Mae Ford, he also offers musical moments by such gospel stalwarts as Sallie Martin and the Barrett Sisters. Live performances are mixed with telling, sometimes touching reminiscences by these pioneers of a musical style, all leading to several striking points: principally, that this energetic music took time to be accepted by the conservatives in the church, and that the music itself has a surprising power to raise spirits and confirm faith. Yet it's all done in a way that is spiritual without being preachy. A truly joyful film. --Marshall Fine | |
| Precious Lord: Songs of Thomas a Dorsey Review The unforgettable life and music of pioneering legend Chuck Berry are celebrated in this landmark feature film, capturing a once-in-a-lifetime gathering of rock and roll's finest! In 1986, Keith Richards invited a roster of great musicians to honor Chuck Berry for an evening of music to commemorate Berry's 60th birthday, including performances by Eric Clapton, Robert Cray, Linda Rondstadt, Etta James and Julian Lennon, along with archival footage of an unforgettable duet by Chuck and John Lennon! Also featuring insightful interviews with many of the original creators of rock and roll: Jerry Lee Lewis, Little Richard, Roy Orbison, Bo Diddley, The Everly Bros, and Willie Dixon. This dynamite crowd pleaser from director Taylor Hackford (Ray) will keep your toes tapping and your soul rocking all night long! DISC ONE: The feature film, presented in a new anamorphic widescreen transfer with spectacular new DTS and Dolby Digital 5.1 audio, plus the original Dolby Stereo theatrical mix with a new introduction to the film by director Taylor Hackford and two theatrical trailers. DISC TWO: 54 minutes of never-before-seen Chuck Berry rehearsals in DTS and 5.1 audio: "Guitar Jam" (with Keith Richards and Eric Clapton), "Mean Old World" (with solos by Eric Clapton, Johnnie Johnson, and Chuck Lavell), "Understand Each Other" (with Eric Clapton), "Hoochie Coochie Gal" (with Etta James), and "Standards Medley" (with Johnnie Johnson)! Plus ... "The Reluctant Movie Star," a one-hour documentary covering the making of the film. | |
| Say Amen Somebody: Music From the Film Review Two distinct portraits of Chuck Berry emerge in this lavish four-disc set built around Hail! Hail! Rock n' Roll, director Taylor Hackford's 1986 documentary/concert film. On one side there's the Berry who wrote a catalogue's worth of genre-defining songs ("Maybellene," "Johnny B. Goode," "Roll Over Beethoven," and so many others), all of them filled with wit, delightful stories, and poetry. He's also the guitarist who virtually patented many of rock's seminal licks, and the showman who attracted some top musicians to celebrate his 60th birthday with a concert in St. Louis, his hometown. On the other hand, there's the Berry who, in the course of the film as well as the accompanying bonus material, emerges as a prickly cheapskate who drove the filmmakers and musicians nuts with his absurd demands and unpredictable behavior. Together they make a fascinating look at the guy who justifiably calls himself "the father of rock 'n' roll." Hackford's original film, now issued with a crisp, anamorphic transfer and digital sound, occupies Disc One. A parade of classics are heard during the climactic concert, performed by Berry and a superb band (led by Keith Richards and featuring guitarist Robert Cray and Johnny Johnson, Berry's original pianist, among others), with guest shots by Eric Clapton (smoking on the slow blues "Wee Wee Hours"), Etta James, Linda Ronstadt, and Julian Lennon (whose dad was an unabashed Berry fan). There are revealing offstage glimpses, too, like Berry confessing that he only took up music full-time because there was more money in it than in housepainting, or a weary, wasted Richards admitting that "I was mad to take the gig" but gamely standing up to his idol at every turn (watch for a memorable moment during the very first song of the concert, when Chuck attempts to change key in mid-tune and Keith sternly shakes him off). The three discs of bonus features add a lot more to the portrait. Much of it is terrific: A nostalgic Berry poring over his scrapbook with Robbie Robertson of the Band; some lengthy rehearsal jams with Clapton, Richards, and James; hours (literally) of convivial conversation with Little Richard, Bo Diddley, and other rock pioneers. But if you're the type who can't turn away from car wrecks, don't miss "The Reluctant Movie Star," an hour-long "making of" documentary, for it's here that Hackford and the others who worked on the film tell their war stories. The Chuck Berry they know demanded to be paid every day, in cash, or he'd refuse to be filmed. He showed up for a dinner meeting at L.A.'s posh Le Dome with a bag of McDonald's takeout. And two days before the St. Louis concert, he announced that he was leaving town for a gig in Ohio, where he proceeded to blow out his voice--so his vocals all had to be overdubbed after the fact (an extra payday, natch). Hail! Hail! Rock n' Roll was already an entertaining two hours. But the various extra material, none of it seen before and all of it introduced by Hackford, makes this "ultimate collector's addition" a must-have. --Sam Graham | |
| About Tap Review There's good news aplenty in this DVD reissue of Say Amen, Somebody, director George T. Nierenberg's 1980 film focusing on some of the giants of modern gospel music and the younger singers whom they inspired. That's "good news" as in the word of God, and what better way to express the power of faith than through this powerful and uplifting music? Liner notes writer Anthony Heilbut describes the film as an exploration of "the golden age of gospel music in its dying hour," and Nierenberg (whose informative and illuminating commentary track, like Heilbut's lengthy notes, is one of the several features that justify the DVD's "bonus deluxe" tag) focuses principally on two senior citizens: Thomas Dorsey, often credited as "the father of gospel music," and Willie Mae Ford Smith, a St. Louis-based singer and an innovator who helped popularize the modern gospel singing style, with its emphasis on exaggerated, open-mouthed vibrato and careful articulation of the lyrics. Dorsey is an engaging raconteur who explains the origins of modern gospel (once a secular songwriter who wrote for Ma Rainey and others, he added rhythm to traditional hymns and spirituals, essentially "bringing the blues into church") and speaks movingly of the trials and tribulations that led to his writing the classic "Precious Lord." For her part, Smith is not only a tireless worker but something of a feminist pioneer who insisted early on that women have just as much right as men to spread the word (her own son's remark that "women ought to stay in their proper place: behind the man" illustrates what an uphill battle that was, and is); this chauvinism, along with the creeping commercialism that makes singers like the O'Neal Twins wonder if they're compromising their evangelical calling, are among the deeper issues Nierenberg's film addresses. But in the long run, of course, it's all about the music, and the DVD package includes 18 complete performances accessible via separate menu, as well as a 15-song CD. All of this will prompt not only a few "amens," but no doubt some "hallelujahs" too. --Sam Graham | |
| Gene Kelly: Anatomy of a Dancer Review This spirited film offers unique insight into jazz tap dancing as an indigenous American art form. The spirit of tap in its heyday, shown in rare photographs and Hollywood film clips of the 1930s, provides a backdrop for intimate portraits of three surviving "hoofers." Sandman Sims, Chuck Green and Bunny Briggs tell the story of tap as an expression of black heritage and culture. For all dance afficionados, NO MAPS ON MY TAPS is an indispensable historical record of this distinctly American art form. | |
| No Maps On My Taps Review The first-ever DVD release for this legendary documentary film that explores the lives and music of the pioneers of modern Gospel music. Features Willie Mae Ford Smith, Thomas A. Dorsey, The Barrett Sisters and The O’Neal Twins. Includes bonus 15-song audio CD and deluxe "hymn book" packaging with essays, lyrics and rare photos. Bonus features include newly recorded director's commentary, photo essay and theatrical trailer. "The music is as exciting and uplifting as any music I've ever heard on film…a great experience" – Roger Ebert "exuberant and revitalizing" – Rolling Stone "even a tone-deaf atheist will say ‘amen!’" - Time | |
| TAP DANCE HISTORY: from Vaudeville to Film Review There's good news aplenty in this DVD reissue of Say Amen, Somebody, director George T. Nierenberg's 1980 film focusing on some of the giants of modern gospel music and the younger singers whom they inspired. That's "good news" as in the word of God, and what better way to express the power of faith than through this powerful and uplifting music? Liner notes writer Anthony Heilbut describes the film as an exploration of "the golden age of gospel music in its dying hour," and Nierenberg (whose informative and illuminating commentary track, like Heilbut's lengthy notes, is one of the several features that justify the DVD's "bonus deluxe" tag) focuses principally on two senior citizens: Thomas Dorsey, often credited as "the father of gospel music," and Willie Mae Ford Smith, a St. Louis-based singer and an innovator who helped popularize the modern gospel singing style, with its emphasis on exaggerated, open-mouthed vibrato and careful articulation of the lyrics. Dorsey is an engaging raconteur who explains the origins of modern gospel (once a secular songwriter who wrote for Ma Rainey and others, he added rhythm to traditional hymns and spirituals, essentially "bringing the blues into church") and speaks movingly of the trials and tribulations that led to his writing the classic "Precious Lord." For her part, Smith is not only a tireless worker but something of a feminist pioneer who insisted early on that women have just as much right as men to spread the word (her own son's remark that "women ought to stay in their proper place: behind the man" illustrates what an uphill battle that was, and is); this chauvinism, along with the creeping commercialism that makes singers like the O'Neal Twins wonder if they're compromising their evangelical calling, are among the deeper issues Nierenberg's film addresses. But in the long run, of course, it's all about the music, and the DVD package includes 18 complete performances accessible via separate menu, as well as a 15-song CD. All of this will prompt not only a few "amens," but no doubt some "hallelujahs" too. --Sam Graham | |
| Tap Dancing America: A Cultural History Review This captivating film focuses on the artistry and style of three of America's leading male tap dancers, Steve Condos, Jimmy Slyde and Chuck Green. Introduced by Gregory Hines, who shares his childhood memories of watching and imitating the tap dance greats at the Apollo Theater, ABOUT TAP features simply staged but bravura performances that display this engaging and graceful art at its finest. The film asks the question, "How does an artist discover his own individual style?" Through their recollections and performances, each of the featured dancers offer a distinctive and highly entertaining answer. | |
| Bojangles Review There's good news aplenty in this DVD reissue of Say Amen, Somebody, director George T. Nierenberg's 1980 film focusing on some of the giants of modern gospel music and the younger singers whom they inspired. That's "good news" as in the word of God, and what better way to express the power of faith than through this powerful and uplifting music? Liner notes writer Anthony Heilbut describes the film as an exploration of "the golden age of gospel music in its dying hour," and Nierenberg (whose informative and illuminating commentary track, like Heilbut's lengthy notes, is one of the several features that justify the DVD's "bonus deluxe" tag) focuses principally on two senior citizens: Thomas Dorsey, often credited as "the father of gospel music," and Willie Mae Ford Smith, a St. Louis-based singer and an innovator who helped popularize the modern gospel singing style, with its emphasis on exaggerated, open-mouthed vibrato and careful articulation of the lyrics. Dorsey is an engaging raconteur who explains the origins of modern gospel (once a secular songwriter who wrote for Ma Rainey and others, he added rhythm to traditional hymns and spirituals, essentially "bringing the blues into church") and speaks movingly of the trials and tribulations that led to his writing the classic "Precious Lord." For her part, Smith is not only a tireless worker but something of a feminist pioneer who insisted early on that women have just as much right as men to spread the word (her own son's remark that "women ought to stay in their proper place: behind the man" illustrates what an uphill battle that was, and is); this chauvinism, along with the creeping commercialism that makes singers like the O'Neal Twins wonder if they're compromising their evangelical calling, are among the deeper issues Nierenberg's film addresses. But in the long run, of course, it's all about the music, and the DVD package includes 18 complete performances accessible via separate menu, as well as a 15-song CD. All of this will prompt not only a few "amens," but no doubt some "hallelujahs" too. --Sam Graham | |
| Say Amen Somebody [VHS] Review There's good news aplenty in this DVD reissue of Say Amen, Somebody, director George T. Nierenberg's 1980 film focusing on some of the giants of modern gospel music and the younger singers whom they inspired. That's "good news" as in the word of God, and what better way to express the power of faith than through this powerful and uplifting music? Liner notes writer Anthony Heilbut describes the film as an exploration of "the golden age of gospel music in its dying hour," and Nierenberg (whose informative and illuminating commentary track, like Heilbut's lengthy notes, is one of the several features that justify the DVD's "bonus deluxe" tag) focuses principally on two senior citizens: Thomas Dorsey, often credited as "the father of gospel music," and Willie Mae Ford Smith, a St. Louis-based singer and an innovator who helped popularize the modern gospel singing style, with its emphasis on exaggerated, open-mouthed vibrato and careful articulation of the lyrics. Dorsey is an engaging raconteur who explains the origins of modern gospel (once a secular songwriter who wrote for Ma Rainey and others, he added rhythm to traditional hymns and spirituals, essentially "bringing the blues into church") and speaks movingly of the trials and tribulations that led to his writing the classic "Precious Lord." For her part, Smith is not only a tireless worker but something of a feminist pioneer who insisted early on that women have just as much right as men to spread the word (her own son's remark that "women ought to stay in their proper place: behind the man" illustrates what an uphill battle that was, and is); this chauvinism, along with the creeping commercialism that makes singers like the O'Neal Twins wonder if they're compromising their evangelical calling, are among the deeper issues Nierenberg's film addresses. But in the long run, of course, it's all about the music, and the DVD package includes 18 complete performances accessible via separate menu, as well as a 15-song CD. All of this will prompt not only a few "amens," but no doubt some "hallelujahs" too. --Sam Graham | |
| Say Amen Somebody: Music From the Film Review There's good news aplenty in this DVD reissue of Say Amen, Somebody, director George T. Nierenberg's 1980 film focusing on some of the giants of modern gospel music and the younger singers whom they inspired. That's "good news" as in the word of God, and what better way to express the power of faith than through this powerful and uplifting music? Liner notes writer Anthony Heilbut describes the film as an exploration of "the golden age of gospel music in its dying hour," and Nierenberg (whose informative and illuminating commentary track, like Heilbut's lengthy notes, is one of the several features that justify the DVD's "bonus deluxe" tag) focuses principally on two senior citizens: Thomas Dorsey, often credited as "the father of gospel music," and Willie Mae Ford Smith, a St. Louis-based singer and an innovator who helped popularize the modern gospel singing style, with its emphasis on exaggerated, open-mouthed vibrato and careful articulation of the lyrics. Dorsey is an engaging raconteur who explains the origins of modern gospel (once a secular songwriter who wrote for Ma Rainey and others, he added rhythm to traditional hymns and spirituals, essentially "bringing the blues into church") and speaks movingly of the trials and tribulations that led to his writing the classic "Precious Lord." For her part, Smith is not only a tireless worker but something of a feminist pioneer who insisted early on that women have just as much right as men to spread the word (her own son's remark that "women ought to stay in their proper place: behind the man" illustrates what an uphill battle that was, and is); this chauvinism, along with the creeping commercialism that makes singers like the O'Neal Twins wonder if they're compromising their evangelical calling, are among the deeper issues Nierenberg's film addresses. But in the long run, of course, it's all about the music, and the DVD package includes 18 complete performances accessible via separate menu, as well as a 15-song CD. All of this will prompt not only a few "amens," but no doubt some "hallelujahs" too. --Sam Graham | |