Fiona Apple Reviews

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The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do

Review Fiona Apple made her debut at age 19 with 1996's Tidal, which is certified triple Platinum. Rolling Stone named her Artist of the Year in 1997 and in 1998 she won a GRAMMY for Best Female Rock Vocal Performance for one of the album's singles, Criminal. When the Pawn...followed in 1999, and was hailed by Entertainment Weekly as the work of an original. In early 2005, fans organized a massive Free Fiona letter-writing campaign, insisting that her label release the long-delayed follow-up album, Extraordinary Machine. Released in the fall of 2005, Extraordinary Machine was named the top album of the year by The New York Times, which called it magnificent, and was awarded four stars by Rolling Stone, which praised it as her strongest and most detailed batch of songs yet. Five years later, Extraordinary Machine earned a spot on Rolling Stone's 100 Best Albums of the 00s list, underscoring how her work continues to resonate powerfully.
Fiona's first album since 2005, The Idler Wheel, is a 2012 Grammy Nominee for Alternative Album of the year. She has received countless accolades taking over Top 10 album lists from such credible sources as Time Magazine, New York Times, Pitchfork, Los Angeles Times, Rolling Stone, Stereogum and more.
Extraordinary Machine

Review Fiona Apple Tidal US CD album
When The Pawn...

Review Tidal is the debut album by Fiona Apple, a New York singer-songwriter-pianist who was 18 years old at the time of its 1996 release. Apple is obviously talented--she has a dark, smoky alto and a knack for an arresting turn of phrase--but she's still several years away from realizing her potential. For every fresh lyric she writes ("Daddy longlegs, I feel that I'm finally growing weary of waiting to be consumed by you"), she provides two examples of embarrassingly precious schoolgirl poetry ("Adagio breezes fill my skin with sudden red," from the same song, "The First Taste"). She also has yet to refine her moody piano chords into actual melodies, though "Shadowboxer" comes close. --Geoffrey Himes
Tidal

Review Various ~ Gap Grooves
Begin to Hope

Review Japanese single for Fiona's cover of the Beatles' tender classic that was featured on the 'Pleasantville' soundtrack. It's backed with a live version of 'Sleep To Dream' and edit versions of 'Criminal' & 'Across The Universe'. 1999 release. Sony.
american dream

Review Alice @ 97.3: This Is Alice Music 2
Melodrama

Review EU three disc set features her albums; Tidal, When the Pawn... and Extrodinary Machine. Sony. 2010.
A Moon Shaped Pool

Review Watkins Family Hour - an acclaimed musical collective featuring siblings Sara and Sean Watkins along with Fiona Apple, Benmont Tench, Don Heffington, Greg Leisz and Sebastian Steinberg - will release their debut, self-titled album on July 24. Additionally, in celebration of the release, the collective will take their "variety show of epic proportions" (Los Angeles Times) to cities across the U.S. this summer kicking off with a performance at the Newport Folk Festival.
Watkins Family Hour, recorded live over three days in the studio of their friend and producer-engineer Sheldon Gomberg, captures the freewheeling spirit of the collective's live shows. An all-covers affair, the album additionally includes Sara leading vocals on the Grateful Dead's "Brokedown Palace," Sean essaying Roger Miller's wistful "Not In Nottingham," from Disney's 1973 animated Robin Hood, and Apple singing "Where I Ought To Be," originally performed by Skeeter Davis.
Okovi

Review Fiona Apple made her debut at age 19 with 1996's Tidal, which is certified triple Platinum. Rolling Stone named her Artist of the Year in 1997 and in 1998 she won a GRAMMY for Best Female Rock Vocal Performance for one of the album's singles, Criminal. When the Pawn...followed in 1999, and was hailed by Entertainment Weekly as the work of an original. In early 2005, fans organized a massive Free Fiona letter-writing campaign, insisting that her label release the long-delayed follow-up album, Extraordinary Machine. Released in the fall of 2005, Extraordinary Machine was named the top album of the year by The New York Times, which called it magnificent, and was awarded four stars by Rolling Stone, which praised it as her strongest and most detailed batch of songs yet. Five years later, Extraordinary Machine earned a spot on Rolling Stone's 100 Best Albums of the 00s list, underscoring how her work continues to resonate powerfully.
Fiona's first album since 2005, The Idler Wheel, is a 2012 Grammy Nominee for Alternative Album of the year. She has received countless accolades taking over Top 10 album lists from such credible sources as Time Magazine, New York Times, Pitchfork, Los Angeles Times, Rolling Stone, Stereogum and more.
Extraordinary Machine (2-LP 180 Gram Vinyl)

Review Fiona Apple Tidal US CD album
MY WOMAN

Review Tidal is the debut album by Fiona Apple, a New York singer-songwriter-pianist who was 18 years old at the time of its 1996 release. Apple is obviously talented--she has a dark, smoky alto and a knack for an arresting turn of phrase--but she's still several years away from realizing her potential. For every fresh lyric she writes ("Daddy longlegs, I feel that I'm finally growing weary of waiting to be consumed by you"), she provides two examples of embarrassingly precious schoolgirl poetry ("Adagio breezes fill my skin with sudden red," from the same song, "The First Taste"). She also has yet to refine her moody piano chords into actual melodies, though "Shadowboxer" comes close. --Geoffrey Himes
Extraordinary Machine

Review Various ~ Gap Grooves
The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do

Review Japanese single for Fiona's cover of the Beatles' tender classic that was featured on the 'Pleasantville' soundtrack. It's backed with a live version of 'Sleep To Dream' and edit versions of 'Criminal' & 'Across The Universe'. 1999 release. Sony.
When The Pawn...

Review Alice @ 97.3: This Is Alice Music 2
Tidal

Review EU three disc set features her albums; Tidal, When the Pawn... and Extrodinary Machine. Sony. 2010.
Begin to Hope

Review Watkins Family Hour - an acclaimed musical collective featuring siblings Sara and Sean Watkins along with Fiona Apple, Benmont Tench, Don Heffington, Greg Leisz and Sebastian Steinberg - will release their debut, self-titled album on July 24. Additionally, in celebration of the release, the collective will take their "variety show of epic proportions" (Los Angeles Times) to cities across the U.S. this summer kicking off with a performance at the Newport Folk Festival.
Watkins Family Hour, recorded live over three days in the studio of their friend and producer-engineer Sheldon Gomberg, captures the freewheeling spirit of the collective's live shows. An all-covers affair, the album additionally includes Sara leading vocals on the Grateful Dead's "Brokedown Palace," Sean essaying Roger Miller's wistful "Not In Nottingham," from Disney's 1973 animated Robin Hood, and Apple singing "Where I Ought To Be," originally performed by Skeeter Davis.

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