Downfall Review Called dramatic, accurate and harrowing by the San Francisco Chronicle and nominated for the Oscar(r)for Best Foreign Film, Downfall takes you into Hitler's bunker during the brutal and harrowing last days of the Third Reich. Seen through the eyes of Hitler's infamous secretary Traudl Junge, optimism crumbles into grim realization and terror as it becomes clear that Germany's defeat is inevitable. As the Russian army circles the city, the dimly lit halls of the underground refuge become an execution chamber for the Fuhrer and his closest advisors. | |
| Conspiracy Review Import only Blu-Ray/Region All pressing. Set in Berlin, 1945, this powerful and provocative war drama retells the final days of the Second World War as recorded in the diaries of Adolf Hitler s private secretary, Traudl Junge, while barricaded with Hitler and his closest confidants in the Fhrer s secret bunker. Directed by Oliver Hirschbiegel (The Experiment) with an astonishing performance by Bruno Ganz (The Manchurian Candidate) as history's most notorious figure, this unprecedented and controversial insiders perspective is gripping insight into the madness and desperation of Hitler in the final hours of the war as the Russian Army closes a ring around Berlin. | |
| Das Boot - The Director's Cut Review Featuring never-before-seen film footage of Adolf Hitler and the Nazi regime, The Architecture of Doom captures the inner workings of the Third Reich and illuminates the Nazi aesthetic in art, architecture and popular culture. From Nazi party rallies to the final days inside Hitler's bunker, this sensational film shows how Adolf Hitler rose from being a failed artist to creating a world of ponderous kitsch and horrifying terror. Hitler worshipped ancient Rome and Greece, and dreamed of a new Golden Age of classical art and monumental architecture, populated by beautiful, patriotic Aryans. Degenerated artists and inferior races had no place in his lurid fantasy. As this riveting film shows, the Nazis went from banning the art of modernists like Picasso to forced euthanasia of the retarded and sick, and finally to the persecution of homosexuals and the extermination of the Jews. Architecture of Doom is part of the Hitler and the Nazis box set. | |
| Stalingrad Review Vitus is the story of a child prodigy who has everything he wants except the chance to be a normal kid. At six, Vitus is both incredibly talented and wonderfully precocious. When it becomes evident that he has an exceptionally high IQ and can play piano like a young Mozart, expectations run high. His parents love him, his grandfather understands him, but no one knows the truth that his real genius is in his heart. | |
| Sophie Scholl - The Final Days Review In Vitus, a boy's extraordinary talent makes his life unbearable--until he applies his brilliance to the problem of normalcy. Vitus (played at 12 by actual piano prodigy Teo Gheorghiu), a boy obsessed with bats and the piano, reveals high intelligence and musical intuition in his childhood; his mother Helen sets out to both push and protect him, resulting in a life hemmed in and out of the boy's control. His only solace is his rascally grandfather (Bruno Ganz, Wings of Desire, as wily and charismatic as ever), who lets Vitus explore without restrictions. But when he can stand his mother's well-intentioned but domineering ways no longer, Vitus takes a drastic step to reclaim his autonomy. A charming fable, Vitus rises above the usual cliches about gifted youth through subtle performances, emotional restraint, and lovely images. Director Fredi M. Murer draws remarkably natural performances from both Gheorghiu and the adorable Fabrizio Borsani, who plays Vitus at age 6, as well as from the young actresses who play the girl Vitus yearns for. There's no denying that Vitus aims to be heartwarming, and for some viewers that goal is cloying in and of itself. But when the 6 year old Vitus running around wearing the gigantic batwings his grandfather made, it would take a rigid cynic not to be delighted. --Bret Fetzer | |
| The Lives of Others Review Wings of Desire (Der Himmel über Berlin) is one of cinema’s loveliest city symphonies. Bruno Ganz is Damiel, an angel perched atop buildings high over Berlin who can hear the thoughts—fears, hopes, and dreams—of all the people living below. But when he falls in love with a beautiful trapeze artist, he is willing to give up his immortality to come back to earth to be with her. Made not long before the fall of the Berlin Wall, this stunning tapestry of sounds and images, shot in black and white and color by the legendary Henri Alekan, is movie poetry. And it forever made the name Wim Wenders synonymous with film art. DIRECTOR-APPROVED SPECIAL EDITION FEATURES
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| Downfall [Blu-ray] Review "There are angels over the streets of Berlin," quotes the movie poster, but these are like no angels you've ever seen. Bundled in dark overcoats, they watch over the city with ears open to the heartbeat of the human soul, listening to the internal musings and yearnings of earthbound humans like existential detectives. In these delicate, astounding scenes we float through the thoughts of dozens Berlin citizens, from the weary and worn to the hopeful and young, as the angels record the magic moments for some heavenly record. But when Damiel (the empathic and sensitive Bruno Ganz) falls in love with an angel of another sort, the lonely trapeze artist Marion (willowy, sad-eyed Solveig Dommartin), he gives up the contemplation and observation of life to experience it himself. Wim Wenders's most purely romantic film is like poetry on celluloid, a celebration of the transient and fragile moments of being human: the warmth of a cup of coffee on a cold day, the embrace of a friend, the touch of a lover, the rapture of love. Opening with an angel's-eye view of Berlin in silvery black and white (delicately captured by the great cinematographer Henri Alekan, who photographed Jean Cocteau's Beauty and the Beast 40 years earlier), it transforms into a gauzy color world when Damiel "crosses over" by sheer will. Peter Falk plays himself as a fallen angel with a special sensitivity for celestial visitors ("I can't see you, but I know you're there," he proclaims), and Otto Sander, whose smiling eyes brighten a face etched by eons of waiting and watching, is Damiel's partner. Wenders made a sequel in 1993, Faraway, So Close, and Hollywood remade the film as City of Angels with Nicolas Cage and Meg Ryan. --Sean Axmaker | |
| Stalingrad [Blu-ray] Review Wings of Desire (Der Himmel über Berlin) is one of cinema’s loveliest city symphonies. Bruno Ganz is Damiel, an angel perched atop buildings high over Berlin who can hear the thoughts—fears, hopes, and dreams—of all the people living below. But when he falls in love with a beautiful trapeze artist, he is willing to give up his immortality to come back to earth to be with her. Made not long before the fall of the Berlin Wall, this stunning tapestry of sounds and images, shot in black and white and color by the legendary Henri Alekan, is movie poetry. And it forever made the name Wim Wenders synonymous with film art. DIRECTOR-APPROVED SPECIAL EDITION FEATURES • New, restored high-definition digital transfer, supervised and approved by director Wim Wenders with DTS-HD Master Audio 5.1 soundtrack • Audio commentary featuring Wenders and actor Peter Falk • The Angels Among Us (2003), a documentary featuring interviews with Wenders, Falk, actors Bruno Ganz and Otto Sander, writer Peter Handke, and composer Jürgen Knieper • Excerpt from: Wim Wenders Berlin Jan. 87, an episode of the French television program Cinéma cinémas, including on-set footage • Interview with director of photography Henri Alekan • Deleted scenes and outtakes • Excerpts from the films Alekan la lumière (1985) and Remembrance: Film for Curt Bois (about the actor who plays Homer in Wings of Desire) • Notes and photos by production designer Heidi Lüdi and art director Toni Lüdi • Trailers • New and improved English subtitle translation • PLUS: A booklet featuring an essay by critic Michael Atkinson and writings by Wenders and Handke | |
| Das Boot (Director's Cut) [Blu-ray] Review "There are angels over the streets of Berlin," quotes the movie poster, but these are like no angels you've ever seen. Bundled in dark overcoats, they watch over the city with ears open to the heartbeat of the human soul, listening to the internal musings and yearnings of earthbound humans like existential detectives. In these delicate, astounding scenes we float through the thoughts of dozens Berlin citizens, from the weary and worn to the hopeful and young, as the angels record the magic moments for some heavenly record. But when Damiel (the empathic and sensitive Bruno Ganz) falls in love with an angel of another sort, the lonely trapeze artist Marion (willowy, sad-eyed Solveig Dommartin), he gives up the contemplation and observation of life to experience it himself. Wim Wenders's most purely romantic film is like poetry on celluloid, a celebration of the transient and fragile moments of being human: the warmth of a cup of coffee on a cold day, the embrace of a friend, the touch of a lover, the rapture of love. Opening with an angel's-eye view of Berlin in silvery black and white (delicately captured by the great cinematographer Henri Alekan, who photographed Jean Cocteau's Beauty and the Beast 40 years earlier), it transforms into a gauzy color world when Damiel "crosses over" by sheer will. Peter Falk plays himself as a fallen angel with a special sensitivity for celestial visitors ("I can't see you, but I know you're there," he proclaims), and Otto Sander, whose smiling eyes brighten a face etched by eons of waiting and watching, is Damiel's partner. Wenders made a sequel in 1993, Faraway, So Close, and Hollywood remade the film as City of Angels with Nicolas Cage and Meg Ryan. --Sean Axmaker | |
| The Lives of Others [Blu-ray] Review From Oscar®-nominated* writer/director Wim Wenders (Buena Vista Social Club) comes this "exhilarating" (Vanity Fair) and life-affirming tale that won him the 1987 Best Director award at the Cannes Film Festival and inspired City of Angels. Co-written with Peter Handke, this "enchanting" (The New York Times) film about the joy of life is "that rare thing a work of true originality" (Newsweek)! Damiel (Bruno Ganz) is a lonely angel who roams the streets of Berlin providing comfort to mortals in need. But when he is drawn into the life of a beautifuland troubledtrapeze artist, he experiences love for the first time and does everything in his power to be seen, heard and felt by her. Jeopardizing his divine position, Damiel is faced with a most difficult decision: either give up love or lose his eternal wings forever! *1999: Documentary Feature, Buena Vista Social Club | |
| Sophie Scholl [Blu-ray] Review "There are angels over the streets of Berlin," quotes the movie poster, but these are like no angels you've ever seen. Bundled in dark overcoats, they watch over the city with ears open to the heartbeat of the human soul, listening to the internal musings and yearnings of earthbound humans like existential detectives. In these delicate, astounding scenes we float through the thoughts of dozens Berlin citizens, from the weary and worn to the hopeful and young, as the angels record the magic moments for some heavenly record. But when Damiel (the empathic and sensitive Bruno Ganz) falls in love with an angel of another sort, the lonely trapeze artist Marion (willowy, sad-eyed Solveig Dommartin), he gives up the contemplation and observation of life to experience it himself. Wim Wenders's most purely romantic film is like poetry on celluloid, a celebration of the transient and fragile moments of being human: the warmth of a cup of coffee on a cold day, the embrace of a friend, the touch of a lover, the rapture of love. Opening with an angel's-eye view of Berlin in silvery black and white (delicately captured by the great cinematographer Henri Alekan, who photographed Jean Cocteau's Beauty and the Beast 40 years earlier), it transforms into a gauzy color world when Damiel "crosses over" by sheer will. Peter Falk plays himself as a fallen angel with a special sensitivity for celestial visitors ("I can't see you, but I know you're there," he proclaims), and Otto Sander, whose smiling eyes brighten a face etched by eons of waiting and watching, is Damiel's partner. Wenders made a sequel in 1993, Faraway, So Close, and Hollywood remade the film as City of Angels with Nicolas Cage and Meg Ryan. --Sean Axmaker | |
| Valkyrie [Blu-ray] Review Called dramatic, accurate and harrowing by the San Francisco Chronicle and nominated for the Oscar(r)for Best Foreign Film, Downfall takes you into Hitler's bunker during the brutal and harrowing last days of the Third Reich. Seen through the eyes of Hitler's infamous secretary Traudl Junge, optimism crumbles into grim realization and terror as it becomes clear that Germany's defeat is inevitable. As the Russian army circles the city, the dimly lit halls of the underground refuge become an execution chamber for the Fuhrer and his closest advisors. | |
| Bread & Tulips Review Import only Blu-Ray/Region All pressing. Set in Berlin, 1945, this powerful and provocative war drama retells the final days of the Second World War as recorded in the diaries of Adolf Hitler s private secretary, Traudl Junge, while barricaded with Hitler and his closest confidants in the Fhrer s secret bunker. Directed by Oliver Hirschbiegel (The Experiment) with an astonishing performance by Bruno Ganz (The Manchurian Candidate) as history's most notorious figure, this unprecedented and controversial insiders perspective is gripping insight into the madness and desperation of Hitler in the final hours of the war as the Russian Army closes a ring around Berlin. | |
| Mid-August Lunch (English subtitled) Review Featuring never-before-seen film footage of Adolf Hitler and the Nazi regime, The Architecture of Doom captures the inner workings of the Third Reich and illuminates the Nazi aesthetic in art, architecture and popular culture. From Nazi party rallies to the final days inside Hitler's bunker, this sensational film shows how Adolf Hitler rose from being a failed artist to creating a world of ponderous kitsch and horrifying terror. Hitler worshipped ancient Rome and Greece, and dreamed of a new Golden Age of classical art and monumental architecture, populated by beautiful, patriotic Aryans. Degenerated artists and inferior races had no place in his lurid fantasy. As this riveting film shows, the Nazis went from banning the art of modernists like Picasso to forced euthanasia of the retarded and sick, and finally to the persecution of homosexuals and the extermination of the Jews. Architecture of Doom is part of the Hitler and the Nazis box set. | |
| Cinema Paradiso Review Vitus is the story of a child prodigy who has everything he wants except the chance to be a normal kid. At six, Vitus is both incredibly talented and wonderfully precocious. When it becomes evident that he has an exceptionally high IQ and can play piano like a young Mozart, expectations run high. His parents love him, his grandfather understands him, but no one knows the truth that his real genius is in his heart. | |
| Romantics Anonymous Review In Vitus, a boy's extraordinary talent makes his life unbearable--until he applies his brilliance to the problem of normalcy. Vitus (played at 12 by actual piano prodigy Teo Gheorghiu), a boy obsessed with bats and the piano, reveals high intelligence and musical intuition in his childhood; his mother Helen sets out to both push and protect him, resulting in a life hemmed in and out of the boy's control. His only solace is his rascally grandfather (Bruno Ganz, Wings of Desire, as wily and charismatic as ever), who lets Vitus explore without restrictions. But when he can stand his mother's well-intentioned but domineering ways no longer, Vitus takes a drastic step to reclaim his autonomy. A charming fable, Vitus rises above the usual cliches about gifted youth through subtle performances, emotional restraint, and lovely images. Director Fredi M. Murer draws remarkably natural performances from both Gheorghiu and the adorable Fabrizio Borsani, who plays Vitus at age 6, as well as from the young actresses who play the girl Vitus yearns for. There's no denying that Vitus aims to be heartwarming, and for some viewers that goal is cloying in and of itself. But when the 6 year old Vitus running around wearing the gigantic batwings his grandfather made, it would take a rigid cynic not to be delighted. --Bret Fetzer | |
| Enchanted April Review Wings of Desire (Der Himmel über Berlin) is one of cinema’s loveliest city symphonies. Bruno Ganz is Damiel, an angel perched atop buildings high over Berlin who can hear the thoughts—fears, hopes, and dreams—of all the people living below. But when he falls in love with a beautiful trapeze artist, he is willing to give up his immortality to come back to earth to be with her. Made not long before the fall of the Berlin Wall, this stunning tapestry of sounds and images, shot in black and white and color by the legendary Henri Alekan, is movie poetry. And it forever made the name Wim Wenders synonymous with film art. DIRECTOR-APPROVED SPECIAL EDITION FEATURES
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| Shadows in the Sun Review "There are angels over the streets of Berlin," quotes the movie poster, but these are like no angels you've ever seen. Bundled in dark overcoats, they watch over the city with ears open to the heartbeat of the human soul, listening to the internal musings and yearnings of earthbound humans like existential detectives. In these delicate, astounding scenes we float through the thoughts of dozens Berlin citizens, from the weary and worn to the hopeful and young, as the angels record the magic moments for some heavenly record. But when Damiel (the empathic and sensitive Bruno Ganz) falls in love with an angel of another sort, the lonely trapeze artist Marion (willowy, sad-eyed Solveig Dommartin), he gives up the contemplation and observation of life to experience it himself. Wim Wenders's most purely romantic film is like poetry on celluloid, a celebration of the transient and fragile moments of being human: the warmth of a cup of coffee on a cold day, the embrace of a friend, the touch of a lover, the rapture of love. Opening with an angel's-eye view of Berlin in silvery black and white (delicately captured by the great cinematographer Henri Alekan, who photographed Jean Cocteau's Beauty and the Beast 40 years earlier), it transforms into a gauzy color world when Damiel "crosses over" by sheer will. Peter Falk plays himself as a fallen angel with a special sensitivity for celestial visitors ("I can't see you, but I know you're there," he proclaims), and Otto Sander, whose smiling eyes brighten a face etched by eons of waiting and watching, is Damiel's partner. Wenders made a sequel in 1993, Faraway, So Close, and Hollywood remade the film as City of Angels with Nicolas Cage and Meg Ryan. --Sean Axmaker | |
| The Architecture of Doom Review Wings of Desire (Der Himmel über Berlin) is one of cinema’s loveliest city symphonies. Bruno Ganz is Damiel, an angel perched atop buildings high over Berlin who can hear the thoughts—fears, hopes, and dreams—of all the people living below. But when he falls in love with a beautiful trapeze artist, he is willing to give up his immortality to come back to earth to be with her. Made not long before the fall of the Berlin Wall, this stunning tapestry of sounds and images, shot in black and white and color by the legendary Henri Alekan, is movie poetry. And it forever made the name Wim Wenders synonymous with film art. DIRECTOR-APPROVED SPECIAL EDITION FEATURES • New, restored high-definition digital transfer, supervised and approved by director Wim Wenders with DTS-HD Master Audio 5.1 soundtrack • Audio commentary featuring Wenders and actor Peter Falk • The Angels Among Us (2003), a documentary featuring interviews with Wenders, Falk, actors Bruno Ganz and Otto Sander, writer Peter Handke, and composer Jürgen Knieper • Excerpt from: Wim Wenders Berlin Jan. 87, an episode of the French television program Cinéma cinémas, including on-set footage • Interview with director of photography Henri Alekan • Deleted scenes and outtakes • Excerpts from the films Alekan la lumière (1985) and Remembrance: Film for Curt Bois (about the actor who plays Homer in Wings of Desire) • Notes and photos by production designer Heidi Lüdi and art director Toni Lüdi • Trailers • New and improved English subtitle translation • PLUS: A booklet featuring an essay by critic Michael Atkinson and writings by Wenders and Handke | |
| Order Castles of the Third Reich - S.S., Hitler Youth & Nazi Politcal Schools Review "There are angels over the streets of Berlin," quotes the movie poster, but these are like no angels you've ever seen. Bundled in dark overcoats, they watch over the city with ears open to the heartbeat of the human soul, listening to the internal musings and yearnings of earthbound humans like existential detectives. In these delicate, astounding scenes we float through the thoughts of dozens Berlin citizens, from the weary and worn to the hopeful and young, as the angels record the magic moments for some heavenly record. But when Damiel (the empathic and sensitive Bruno Ganz) falls in love with an angel of another sort, the lonely trapeze artist Marion (willowy, sad-eyed Solveig Dommartin), he gives up the contemplation and observation of life to experience it himself. Wim Wenders's most purely romantic film is like poetry on celluloid, a celebration of the transient and fragile moments of being human: the warmth of a cup of coffee on a cold day, the embrace of a friend, the touch of a lover, the rapture of love. Opening with an angel's-eye view of Berlin in silvery black and white (delicately captured by the great cinematographer Henri Alekan, who photographed Jean Cocteau's Beauty and the Beast 40 years earlier), it transforms into a gauzy color world when Damiel "crosses over" by sheer will. Peter Falk plays himself as a fallen angel with a special sensitivity for celestial visitors ("I can't see you, but I know you're there," he proclaims), and Otto Sander, whose smiling eyes brighten a face etched by eons of waiting and watching, is Damiel's partner. Wenders made a sequel in 1993, Faraway, So Close, and Hollywood remade the film as City of Angels with Nicolas Cage and Meg Ryan. --Sean Axmaker | |